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- Chesapeake bay magazine best of the bay 2012 manual#
- Chesapeake bay magazine best of the bay 2012 iso#
- Chesapeake bay magazine best of the bay 2012 professional#
– Every photo should tell “a story.” What is the story you are going to tell with this image? Compose your shot within the viewfinder, with as little excess as possible. Notice the frame marks in the viewfinder. – Look INTO the viewfinder…not through it. – Shoot lots of photos to get the one perfect shot. – Don’t be bashful – Do whatever it takes to create an interesting image. What type of shot…macro, action, landscape, or portrait?
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Chesapeake bay magazine best of the bay 2012 manual#
– Camera settings – Think about your creative choices (automatic vs manual selecting lens aperture and shutter speed). – Color – In your camera’s menu, set the color to Adobe’s “RGB.” It covers far more of the color spectrum than “SKGB.” Also, set your white balance to “daylight,” not “automatic.” Modern cameras are amazingly sophisticated.
Chesapeake bay magazine best of the bay 2012 iso#
– Select the best ISO for your lighting conditions (for low light or bright light). Raw gives you far more latitude to improve your image later, with processing software. Think about light when you frame a shot…what kind of light (direct or reflective), how does it light your subject, what is in the shadows? To act like the human eye, the camera needs to be adjusted. Photography is all about light, and the way it forms an image. Tips From Our Mentors – for Single Lens Reflex Cameras (SLR): – Nikon mentor photographer Corey Rich, above, says a great photo should tell a story.
Chesapeake bay magazine best of the bay 2012 professional#
– Professional Nikon photographer Mark Alberhasky, above, explains technique to a member of our group. Mentor Series did a nice job of pairing these photographic masters. They have very different approaches to photography, yet they are complimentary teachers. Mark’s website is and Corey’s is Check them out. You can’t beat the one-to-one learning experience. You’ve seen their stunning images in national magazines, from Nikon World to National Geographic. The two mentors were Mark Alberhasky, from Atlanta, and Corey Rich, from San Francisco. We learned from each other, as well as from the pros. But, be prepared to do some serious work (it’s all fun!) and to enjoy meeting a small group of like-minded aspiring photographers. The website is: You can check out some of their fabulous photo journeys at beautiful spots around the world. Mentor Series Worldwide Photography Treks is the group that organized the trek in Maryland, last June. I’ll also post some of my images from the trip.įirst, some credits. Instead, I decided to pass along a few tips and techniques, which may be useful to you. On a July blog post, I promised to share more about the experience. I had the pleasure of joining two Nikon mentors recently for a three-day trek through the Chesapeake Bay country of Maryland. Even our memories of events past are visited through the “images” we store in our minds.
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Each is part “craft” and part “art.” Each engages visual perception as a gateway to the mind. Writing and photography are two of my artistic passions. In this post, I’ll mention some photographic tips from Nikon’s professional mentors. If you want to take better photographs, I don’t know of a better way. I recommend it for all aspiring photographers. Photography…learning from a mentor, a master of craft, can be a magical experience. – Schooner Heading Home at Sunset, Chesapeake Bay (click photo for larger image)